 Instrumental music:
Chamber music:
1914 - Quartet en do menor, for string quartet.
1921 - Vistes al mar for string quartet, later arranged for chamber orchestra
1922 - Sis sonets, for violin and piano
1931 - Les danses de Vilanova, for string quartet, piano and bass, (adaption of the glossa of 1921)
Symphonic music:
1919 - Suite en Mi Major
1926 - Empúries (Invocacion to Empordà) sardana lliure for orchestra
1930 - La maledicció del comte Arnau (lyrical impression for orchestra, adaptation from the original of 1926)
1934 - La filla del marxant (suite written for the drama in three acts by Adrià Gual, entitlled Lionor o la filla del marxant)
Sardanes for cobla:
1926 - El roserar 1929 - Atzavares i baladres 1930 - Tamariu 1931 - Cantallops 1932 - Coll Forcat and Salou 1934 - Faluga, Joan, Manel i Maria * 1946 - Vilanovina and Maria Isabel 1948 - Mariàngela 1950 - Vallgorguina * Joan, Manel i Maria (1934) (this sardana was never written. It was initially ment to be dedicated to the sons and daughter of his best friend Manuel Capdevila. And it appeared listed in the program at the traditional concert at the Palau de la Música Catalana on 1/1/1935) [program]
Music for cobla:
1921 - Les danses de Vilanova (Ballet - glossa for cobla)
1926 - La maledicció del Comte Arnau (poem for three cobles and timpani)
Vocal music:
Songs:
Complete songs (including the lyrics)
Complete list of original songs:
1915 - Menta i farigola, El rei Lear and Els obercocs i les petites collidores (Josep Carner), Romança sense paraules and Festeig (Joan Maragall)
1923 - Canticel (Carner) and Les garbes dormen al camp (Josep Maria de Sagarra)
1924 - A l'ombra del lledoner [song cycle for voice and piano] (Tomàs Garcés), Romanç de santa Llúcia and Vinyes verdes vora el mar (Sagarra)
1925 - Cançó de l'amor que passa (Garcés) and El gessamí i la rosa (Carner)
1926 - Recança, A muntanya (Carner), Camins de fada (Garcés), Cançó de vela (Sagarra) and Cocorococ! (Carner)
1927 - Garba, collection of six songs submitted for the "Concepció Rabell" composition competition containing: Platxèria (Salvat-Papasseit), La mar estava alegra (Maragall), Cançó incerta (Carner), Cançó de l'oblit (Garcés), Cançó de passar cantant (Sagarra) and Anacreòntica (Clementina Arderiu)
1936 - La rosa als llavis [song cycle for voice and orchestra] (Salvat-Papasseit)
1940 - La zagala alegre (Pablo de Jérica) and Mañanita de San Juan (Anònima del segle XVI)
1941 - Nadie puede ser dichoso (Garcilaso de la Vega), Después que te conocí (Francisco de Quevedo), and Cantarcillo and Madre, unos ojuelos vi (Lope de Vega)
1947 - Muntanya d'amor (Manuel Bertran)
1951 - As froliñas dos toxos (Antonio Noriega)
1958 - Cançó per a fer dormir l'Eduard and Villancet, dedicades a la seva família
1960 - Aquarel·la del Montseny (Mossèn Pere Ribot) for voice and strings
Complete list of arrangements of folk-songs:
1925 - L'estudiant de Vic (Glossa from the traditional catalan folk-song)
1933 - Nou cançons populars catalanes (Nine traditional catalan folk-songs)
1941 - Doce canciones populares españolas (Twelve traditional spanish folk-songs)
1952 - Seven traditional catalan folk-songs (selected from the collection of 1933 arranged for a mixed choir)
Theater:
1924 - four musical illustrations for the play de Lluís Masriera: Un idil·li prop del cel o, pel juny, carabasses.
1928 - El giravolt de maig, a comic opera in one act with libretto by Josep Carner
1951 - Oh, Tossa!, hymn for the theatrical spectacle by Joan Oliver: Quasi un paradís)
Others:
1912 - Sardana for flute and piano 1913 - El desembre congelat (arranged for String Quartet) 1913 - El noi de la mare (arranged for String Quartet)
1924 - Virolet (sardana for piano) 1958 - Villancet
List of works by genre and presented chronologically: |
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